Gemma Coma-Alabert, a voice that seduces and inspires.

Opera Internacional

Gemma Coma-Alabert was formidable, subtle and expressive.

La Vanguardia

Gemma Coma-Alabert, with very powerful musicality, promises a career with golden letters.

El Periódico

Gemma Coma-Alabert, a powerful mezzo-soprano, did a refined job both in terms of vocals and characterization.

New York Times

“…a voice that seduces and inspires…”

Born in Girona, Gemma Coma-Alabert obtained the 1st prize at the National Conservatory of Paris and, later, followed her training at the Guildhall School of Music in London and the National Opera of Lyon.</p >

In the opera field, she has played roles such as Carmen, Ottavia (Poppea), Suzuki (Madama Butterfly), Dorabella (Cosi fan tutte), Isaura (Tancredi) and Teresa (La Sonnambula). He has sung at the Liceu de Barcelona, the Palau de les Arts de Valencia, the Bilbao Opera, the Oviedo Opera, the Montpellier National Opera, the Champs Elysees Theater in Paris and the Teatro Real in Madrid, among others.

His most recent symphonic vocal repertoire includes Beethoven’s Ninth Symphony, Schumann’s Szenen aus Goethes Faust, Pau Casals’ El Pessebre, Manuel de Falla’s L’Atlantida, Symphony n. 8 by Mahler or Dante by Enric Granados. He has sung with orchestras such as the Montpellier National Orchestra, the Barcelona Liceu Orchestra, as well as the Barcelona and National Symphony Orchestras of Catalonia, among others.

He has worked with directors such as Ivor Bolton, Harry Bicket, Fabio Biondi, Ottavio Dantone, Stéphane Denève, Pablo Gonzáles, Lawrence Foster, Zubin Mehta, Josep Pons, Antoni RosMarbà, and stage managers such as Peter Brook, Claus Guth, Laurent Pelly, Krzysztof Warlikowski and Barrie Kosky.

In images

Reviews

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Gemma Coma-Alabert, a powerful mezzo-soprano, did a refined job both in terms of vocals and characterization.

New York Times

{

Gemma Coma-Alabert, a voice that seduces and inspires.

Opera Internacional

{

Gemma Coma-Alabert, with very powerful musicality, promises a career with golden letters.

El Periódico

{

Gemma Coma-Alabert was formidable, subtle and expressive.

La Vanguardia